Tips for Creating Bisexual Characters

 Tips For Creating Bisexual Characters  My article on Unicorn Booty

Naming Characters in Fiction

Often my characters names just come to me quickly as I'm writing down the first words in my story, other times I have struggled with them. Here are some of the things I have considered in naming. 

I have found when I'm reading a novel I get mixed up too easily if two similar characters have similar names. For example, best friends named Mike and Mark. So I avoid that in my own writing. 

I also decided that relatively insignificant characters shouldn't have significant names. In "Love, Sex, and Understanding the Universe," I changed one character from Alison to Alice for this reason. 

Another thing I have done when naming characters is to have a little fun with it. I had a character named Carol, and when I changed Alison to Alice, I decided I should also have a Ted and Bob - as the theme to the movie Bob and Carol and Ted and Alice, was somewhat relevant to my novel. In my second novel I also use all four of those names.

One of my main characters started out as Clara but I changed it to Bonnie because it was useful to the story-line. Bonnie is not her real name and there is significance in several scenes to both her name being Bonnie - a West Indian guitarist singing My Bonnie Lies Over the Ocean on a beach - and the secret behind her real name, which Bonnie is short for.

It can be tempting to have a little fun by giving a character an unusual name, but that can be distracting. I only use unusual names for unusual characters, such as Flash, a bisexual, punker artist who has an orange crew cut. I originally spelled Derek as Derrick just because it seemed more interesting, but then I decided there was no good reason for it to be spelled in a more unique manner and this might just needlessly divert the readers attention.  

I once changed a very minor character's name because I realized that Jamie is short for James and Jamie's brother was named James but called Jim.

Whatever you do, make sure you're being consistent. For a long time, while developing my second novel, I would interchangeably use, Rosalyn, Rosemary, and Rachel for the same character. In the same book I was also accidentally using both Wicked Wendy and Wicked Wanda for another character. The Find and Replace feature of word programs are great for fixing this kind of problem. 

I like it best when the character's name just pops into my head and fits well, as if his or her name was inevitable and somehow obvious. Another one of those moments when you feel like the words you are writing somehow already existed and were just waiting for you to come along and transcribe them.

What Inspires Your Characters?

In order to move your plot along, you have to have your character decide to do something. You've created conflict, so there are problems, to build suspense there are more problems. Something has to change, something has to bring the story to its climax.
While it may be tempting to make events beyond your character's control bring about the resounding crescendo of your novel, readers are much more enamored by a story if the struggling protagonist actually does something that makes all the difference. This is where your character needs inspiration. Generally, this is in the form of a catalyst - something new introduced to the story that awakens the lead.  It may be hitting rock bottom as a result of an especially catastrophic event. Just like what inspires alcoholics to go to AA, the situation gets so bad for your character that they are forced to recognize that something has to be done.
Your character may be woken up by something another character does or says at just the right moment - a slap on the face during a wedding by a grandmother who has always been only kind, a statement by a co-worker that makes the character realize that her impression of who she is, is far from how others see her. It may be that a new person or relationship in their life makes your character realize things can't go on the way they have been.
Perhaps it's something subtle like a glace in the mirror at a friend's house or the way a fish struggles on the end of the hook during a camping trip.
Inspiration can come in the form of a long-repressed memory coming to the surface, or a silly poem, or the look on a dog's face.
Your plot, theme, setting, and characters will all guide you toward the best choice for your book. Just make sure your readers feel it as intensely as you do.

Writing from the Opposite Sex's Point of View.

Writing from the Opposite Sex's Point of View.

My novel "Love, Sex, and Understanding the Universe" is written from the first person point of view of a man (Jim). What made me think I could pull this off despite the fact that I'm a woman? First of all, to my credit, I would like to note that I didn't think it was a good idea, and fought (valiantly, I might add) against the notion. But, alas, to make the novel work that is what had to be done. When you read it you'll see, getting inside Jim's motivations, emotions, and internal conflict is what makes the story.
But my reluctance was not because I didn't think I could pull it off. My reluctance was because I was concerned that others would find fault in the notion.
So, back to the question, what made me think I could know what a man would think, feel and want? There are a few things that contributed to my confidence in this task.
For one thing I am, personality-wise quite androgynous. I don't feel especially female, but nor do I feel especially male. Personality attributes that are mainly considered highly feminine or highly masculine are mostly puzzling to me. Thus, by making Jim not hyper masculine in personality, it was fairly easy for me to get a grasp on how he'd think.
Another thing about me - and I think this is the norm for all good writers - is that I have a strong sense of empathy. Being able to put yourself in another person's shoes (or bed, or bar scene, or classroom, or dinner conversation) enables one to imagine, or understand, what that person - based on what you know about them and I know a lot about Jim - would be sensing or experiencing, no matter who they are.
Indeed, there is so much that is universal to all humans when it comes to issues of love, desire, being true to oneself, loneliness, friendship, fear, hope and longing that no matter what sex you are, you can tap into those themes (all of which are in my novel) and the accompanying feelings, actions, and reactions.

Getting to Know Your Characters.

Getting to Know Your Characters.

Characters who seem like flesh and blood people to readers is an essential part of good fiction. Mainly this requires that a character is multidimensional - just like real people. A character needs to have a past, hobbies, issues, dreams etc. 

One way to get to know who your character is in-depth, is to imagine him or her in all sorts of scenarios. It can be especially helpful to include situations not related to your story at all. In my novel, "Love, Sex, and Understanding the Universe," my main character, Jim, never once goes to a beach. But when I was on vacation during the time I was writing the book, even though I did not write during the vacation, I took the opportunity to - in my head - imagine Jim on the beach in Mexico. What circumstances would have brought him there? Who would he be with? What would they be saying to each other? What would he like or dislike about that beach? What kind of swimming attire would he wear? What beach activities would he partake in? Would he use sun block? etc.  

Once you have a real grasp on the people you people your novel with, it will come more automatically to you to know how they will respond to the situations in your book, what they will say and how they will say it. 

One of the things the other writers in my writers group use to say to me when I read from "Love, Sex, and Understanding the Universe" is "you really get inside Jim's head!" The truth was, I told them, that Jim really got inside my head. 

What Novelists Choose to Write About.

What Novelists Choose to Write About.
Yes, often our characters dictate our stories and it feels like we have very little control over it. But what was the impetus that developed the character in the first place? We - as authors - breath life into a new (fictional) being; what was our intent? People have myriads of reasons to create a story. Often the desire to entertain is really what it's all about. Sometimes a desire to educate in an entertaining matter is more the point - think "To Kill a Mocking Bird," or "Lord of the Flies." These books each highlight a reality of life in a way that keeps readers interested, and helps them understand the issue on a deeper level or from a new perspective.
My novel "Love, Sex and Understanding the Universe" was not written by me but by Jim, my fictional character. He told me his story and I put it on paper. But I created Jim as a vehicle to help me impart a greater understanding on the issues affecting bisexuals, in a way that would keep readers interested.
My novel, "Bonita verses Ivan Rastaman and the Monkey-go-round" is more about entertaining readers, but also deals with bisexuality, and the aftermath of alternative lifestyles of the Age of Aquarius.

Why I Never Wanted to Write a Novel

Why I Never Wanted to Write a Novel
Commitment, commitment, commitment - writing a novel is a long term commitment and there is no guarantee it will payoff. Not only do you not know if it will payoff financially, you don't know if anyone will ever even enjoy it. If you're going to get it done and do it right it takes lots of time away from other things you could be doing or writing. I have not ever taken even a second to contemplate how many hours I put into my novel "Love, Sex and Understanding the Universe." I think I'd get dizzy and faint if I did.
I wrote the book simply because I had no other choice. It was intended to be a short story but the short story, which I really was excited about, would not fit into the confines of that format. My main character, Jim, would not be satisfied with me telling just that one little bit of his life. He wanted the whole thing told, and I could see too that without his back-story the short story did not make sense. Jim was not the kind of guy to get himself into the mess he was in. I wanted to know what happened to get him there and he told me, and told me and told me. But I answered back that this was all fine and well but I was NOT going to write a novel. He wouldn't shut up and even went on to tell me what happens after the slice of time in the story. Finally, I gave up and did as he insisted, and told his story.
So, was it worth it? Do I regret the time - years - I put into that book? Well, of course it was worth it to get Jim to stop his incessant narrating in my head. More importantly though, I love the novel. The few others who have heard parts of it - no one else has ever read the whole thing (YET) - have been intrigued too, and that's very encouraging. However, what's most telling about how I feel about having put that time and commitment into the book is that fact that once I was done I wanted to do it again, and thus, my second novel, "Bonita verses Ivan Rastaman and the Monkey-go-round."

Are Novels Largely Autobiographical?

Are Novels Largely Autobiographical?
People who have read my fiction often make comments that assume much of what I write is autobiographical. My character's all live lives that are extremely different from the one I've been leading, but that doesn't mean my experiences didn't help me write my novels. Events, people I've known, things people have said to me, and places I have been, have frequently inspired me. For example, in "Love, Sex and Understanding the Universe," my minor character, Carol was initially modeled after a woman I once saw on a bus. I have my character seeing her on the same bus route, wearing the same outfit, but when I couldn't get a good grasp on this woman's personality, I went and borrowed the physical attributes of an acquaintance of mine in the Ozarks. Suddenly Carol came alive and she's nothing like my acquaintance except in looks.
Likewise, for years I poked around with the idea that eventually became my second novel, "Bonita Verses Ivan Rastaman and the Monkey-Go-Round," but could not get it to take a hold on me. When I had my main character say and do some things a woman once said and did with me this brought Bonnie alive, though she is extremely different from the real woman I know. Then after I went to the Rainbow Gathering here in the Ozarks I decided to put Bonnie and her father in a scene there. While she sees some of the same things I did at the Gathering, her experience is her's alone and the people she meets are fabrications based on bits and pieces of people I have come across in my lifetime. It is this scene that made the novel finally take off for me.